Parallel Compression Gain Calculator
Achieve balanced parallel compression by blending dry and compressed signals precisely.
Additional Information and Definitions
Dry Signal Level (dBFS)
Peak or RMS level of the uncompressed signal in dBFS.
Compressor Threshold (dBFS)
Level above which compression begins, typically negative (e.g., -18 dBFS).
Compression Ratio
Ratio of output level above threshold (e.g., 4 means 4:1).
Makeup Gain (dB)
Additional gain applied to the compressed signal to restore level lost during compression.
Blend Percentage (%)
How much compressed signal to mix with the dry signal. 0 = all dry, 100 = all compressed.
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Frequently Asked Questions and Answers
Click on any question to see the answer
Parallel Compression Terms
Important concepts for mixing compressed and uncompressed signals effectively.
Threshold
Ratio
Makeup Gain
Blend
5 Tips for Successful Parallel Compression
Parallel compression can drastically enhance punch while maintaining the original track’s nuance.
1.Choose the Right Threshold
Setting it too low will compress everything; keep it just where transients poke above the threshold for best dynamics.
2.Don’t Overdo Ratio
Excessively high ratios can kill the natural feel. Start with moderate ratios like 3:1 to 6:1 and adjust to taste.
3.Watch the Makeup Gain
Adding too much makeup gain can inflate the noise floor. Balance is key to keep hiss at bay.
4.Tweak the Blend
Gradually raise the blend from 0% to 100% until you sense added thickness without losing the natural character.
5.Re-EQ if Needed
Compression can emphasize certain frequencies. Light EQ after parallel compression can rebalance any tonal shifts.